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vQR茓>yOa茓烻,geg陙嶯'k2m}v篘鵞陙馷(W2m'YF杽v哠騍T誰'`剉nx tS郪bTNvQ諲蛓蟚踳剉N璭纎S  €衏汷哊癳剉>yO膵簨剉颯齹'` b:N夎怗r{|媁o豐剉癳≧汻0 €N 孴30t^鉔N T{|媁@bZP鶴剉鴙yO膵簨N7h ,geg\O:N鶹歔諲€b_a孹[(W剉 gr偤N蛓覊r _N(W50t^鉔}Y眱^W5uq_剉vQ諲{|媁-N豐梍a燫YBg0詋俌1959t^S忺h蒪痚_tKQDouglas Sirk gb黐剉臽倐gR 0%f螛藋钖 0Imitation of Life  蚥陙諲1934t^剉 TTq_Gr FO g@w癳鰁鉔韹僗 N剉9e 1961t^剉Lk侴r 0堹SEe婲 0West Side Story  vQ1954t^剉烻HrLk俫Rck/f/T裇陙蒪N詧鹹l剉磃汻睶亃0觺刧;NIN_剉噀,gR恎筫誰 鵞嶯觺刧'`0W奲醕{|媁5uq_衏汷哊嚇:N gHe剉悇_ FO籗哠騍S0籗?e籰StS/fvQ鶹 g:w S_孾b哊鵞{|媁5uq_h圔\N駇B\觺刧剉RR lT鵞vQ輯韹h埦NaINub\O鶴蹚Nek銐蕬鰁 緰MQOIc_壛墭€0鵞{|媁o豐剉sQ鑜 ,g1\鍕/f錘哠騍茐覊:N鶴裇筽 鸑KNN縊/f亯€遊N T剉哠騍0>yO0噀S臽僗俌UOq_蚑0R哊{|媁輯韹剉h埦 蹚 €俌UO耂N哊{|媁剉蹚NekQX 0{|媁o豐剉 佨~pT vQ瀃N{|媁輯韹筫_剉宼e飴刜/fN魜剉0觺韹蟸xQ}Y眱^W{|媁剉o豐N蛻QX NN T剉鰁鉔韹僗 g@w芠N颯R剉sQ鹼 S_:_寋|媁5uq_剉匭钀噀,g觺刧鰁 8^8^OrR聢vQNY钀ag鯪剉T€鹼  €鶺嶯}Y眱^W錧NSO鹼N蟸Nm:g6R剉{|媁xvz 萐臢臢\PYu(WY钀顣槝剉 佨~ N諎\Y钀郪 }駇eQ0R{|媁5uq_剉駇B\觺刧S_-N\O鶴銐蕬0\蟸xQ}Y眱^W{|媁茐:N郪哠騍 €u0彇哠騍 €豐≧剉NWY輯韹h埦徆e_ :N奲醕wQSO剉{|媁o豐哠騍衏汷哊 gHe剉悇_0Tension between Hollywood Genre Evolution and Mode of DiscourseCHEN Xiao(Beijing Film Academy, Beijing 100088, China) Abstract: This article focuses on the historical evolution of Hollywood film genres and argues that this process is not only a repetition of America s basic cultural subjects, but also a process of specific social and cultural interaction. Classical Hollywood genre films forms a particular mode of discourse to practice its expression and social criticism. Different genres in a same period can express similar social criticism, while same genre in different periods can express different ones. Rejuvenating and reformation of subjects leads to the development, transfiguration and disappearance of certain genres. The tension between modes of genric discourse and the historical evolution of genres is perpetual, which becomes an essential part of the history of Hollywood film genres which cannot be neglected.Key words: film genre; classical Hollywood; genre evolution#嶜N憦疧繯飽 鑜蕬:`$Xbl毌e檒( 0}Y眱^W{|媁5uq_ 0 UO#k褘 N獈鶴Hr茤釼 Nwm篘l鶴Hr>y 2009t^8g,{1Hr ,{42u0耂€噀.s[1] Xbl毌e檒(? }Y眱^W{|媁5uq_ [M]. Nwm Nwm篘l鶴Hr>y 2009[2] Xbl毌e檒(? 鏴}Y眱^W癳}Y眱^W闚_0z?gN錧N [M]. S琋S琋'Yf[鶴Hr>y 2013[3] t錱穇yr}v. }Y眱^W5uq_  齎5uq_錧N裇U\騍 [M]. S琋NSY鶴Hr>y 2011[4] \? 齎5uq_齎噀S [M]. Nwm Nwm篘l鶴Hr>y 2010[5] T\匭\芛痚. 5uq_xvz黐簨 [M]. S琋NLufN鶴HrlQ鳶 2013[6] Jim Kitses. Horizons West: Directing the Western from John Ford to Clint Eastwood [M]. London: British Film Institute, 2007.[7] Will Wright. Sixguns and Society: A Structural Study of the Western [M]. California: University of California Press, 1975.[8] David Bordwell, Janet Staiger, Kristin Thompson. The Classical Hollywood Cinema: Film Style & Mode of Production to 1960 [M].South Carolina: Columbia University Press, 1985.[9] Steve Neale. Genre and Hollywood [M]. London: Routledge, 2000[10] Rick Altman. Film/Genre [M]. 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